SERIALS
Jul
30
to Aug 1

SERIALS

SERIALS is a late-night episodic play competition series. Each weekend of performances, five original, never-before-seen 10 minute works are rehearsed, teched, and fully staged, premiered live in front of our audience.

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OVERFLOW
Aug
4
to Aug 6

OVERFLOW

OVERFLOW is a multidisciplinary fever dream blending contemporary dance, theatrics, humor, and tragedy to explore severe personality disorder, emotional fragmentation, and a woman’s distorted sense of reality through fast moving vignettes.

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Lilith
Aug
7
to Aug 22

Lilith

Lilith, a new play by Adina Aaron and directed by Samantha Ozeas, is new interpretation of the myth that investigates the gender dynamics, narratives about desire, and embrace of duality which continues to define our culture.

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Lake Effect
Aug
8
9:30 PM21:30

Lake Effect

Lake Effect is a sharp, darkly funny two-hander about siblings Ari and Shana, stuck in a cabin and in each other across time. As identity, trauma, sex, and family tension collide, their bond starts to feel less like home and more like a storm they’re trapped inside.

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Joanna
Aug
15
3:00 PM15:00

Joanna

Six years after Joanna vanishes, her mother reappears in her ex-boyfriend’s life, befriending his much younger current girlfriend and triggering a whirlpool of insecurity, blurred boundaries, and obsession.

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It Just Takes Time
Aug
23
3:00 PM15:00

It Just Takes Time

It Just Takes Time is a contemporary song cycle that weaves together songs exploring anxiety, loneliness, impatience, and unexpected connection during the COVID19 lockdown. Though the future is unknown, each character learns to lean on their loved ones and appreciate the "little wins."

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Le Blanc
Aug
27
to Aug 29

Le Blanc

Through interviews and vignettes, Le Blanc explores Wellington's journey from foster youth to Black queer superstar, using his ballroom fame and downfall to examine systemic trauma, sexuality, and American institutions.

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Very Blue Light
Sep
10
to Oct 4

Very Blue Light

Marfa, Texas. Two women reunite with their childhood best friend, only to find that his politics have gone askew. Very Blue Light is a play about people caught in the conflict between emergent technology, our networks, and the natural world.

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Falls for Jodie
Sep
24
to Oct 18

Falls for Jodie

1980. New Haven, Connecticut — Four months before he will attempt to assassinate President Ronald Reagan, John Hinckley Jr. moves into the Colony Inn with a simple plan to make Jodie Foster his girlfriend. In his first night at the hotel, John and meets Eddie, the night concierge, where they discover a shared dilemma: both are in love with Yalies who don’t know they exist. When Eddie offers to connect John to Jodie in exchange for an investment, their business partnership blossoms into an unexpected friendship, revealing a growing crisis neither recognizes in the other before it’s too late. Falls For Jodie, a dark comedy by Eric Micha Holmes, dares to ask: “How can the pursuit of love escalate to a national tragedy”?

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Oct
6
to Oct 10

◼️⚫🅾

“◼️⚫🅾” culminates a four yearslong choreographic exploration of geometric shapes: spatially, geometrically, and physically. This hourlong quintet features original sound design by Ross Daniel utilizing the sonic landscape created by the movement itself.

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Show Trial
Oct
15
to Nov 8

Show Trial

In Prague 1950, Milada Horáková stands trial for treason in an absurdist satire of authoritarian justice, where mustaches abound, guilt is scripted, truth is manufactured, and history is written by the victors.

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Legerdemain
Oct
29
to Nov 22

Legerdemain

As Halloween approaches and a strangler is on the loose, Devin, a jaded waitress at Butterloafs, a chain restaurant in New England, gets to know Don Franz, her most devoted customer. In this comedy, bananas appear from sleeves, grief is shared, and a story’s resurrection changes lives in the blink of an eye.

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Noted
Jul
25
3:00 PM15:00

Noted

Noted
Saturday, July 25 at 3pm

Katie Kohler
Pete Betcher
Lauren McFall
Alec Silver

Noted is back for one day of absolute nonsense before we fly away to Scotland with two new faces, four hundred doodles, and zero reasons not to be there.

Buckle up for a fast-paced movement-based comedy extravaganza that is a whirlwind of imagination, mischief, and delight. The Back Pack’s signature style, hailed as “a live action cartoon” and “pure entertainment,” creatively combines non-spoken performance, music, dance, and media with over 400 hand-drawn images strapped to the performers, transforming them with the turn of every page. Expect surprises, laughter, and moments of wonder as you delve deeper into this vibrant, fever-dream fantasia. Bold, original, and irresistibly fun, this is storytelling at its most playful and will leave you with a smile on your face and a glow in your heart.

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Bedroom Pop
Jul
23
to Jul 25

Bedroom Pop

Bedroom Pop
Thursday, July 23rd (9:30pm), Friday, July 24th (7pm), and Saturday July 25th (3pm)

JOANNA - Alaina Anderson
EMILY - Anya van Hoogstraten
STELLA - Sammi Pohly
KATE - Malia Munley

Book, Music, and Lyrics - Abby Rooney
Music Director - Brooke Sanders
Director - Bibiana Torres
Producer - Beth Slade
Stage Manager - Serena Alexander
Script Consultant - Nina Kissinger
Lighting Designer - Sam Bessler
Sound Designer - Padra Crisafulli
Music Producer/Ableton Programmer - Henry Roseman
Guitarist - Nick Potocki

Joanna is a songwriter struggling to find her voice in noisy New York, where bedrooms are small, walls are thin, and patience wears even thinner as she tries to “make it” as an artist—whatever that means. She turns to her best friends for support and inspiration: Emily, a high-powered lawyer whose five-year plan has spectacularly derailed; Stella, a glamorous fitness instructor with trust issues; and Kate, a self-sacrificing third-grade teacher reckoning with a complicated past. Facts, fiction, and feelings start to blur as Joanna draws on their experiences in her songwriting, all while avoiding her own emotional excavation. A story about friendship, the sanctity of our private spaces, and the fine line between life and art, BEDROOM POP is an indie-pop-rock song cycle featuring the music we make when we think no one’s listening.
Content Warnings: Discussion of abusive relationships and disordered eating; depiction of smoking/drug use; strong language, including sexual language; brief mention of suicidal ideation.

There is an in-person waitlist 30 minutes before the performance.

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horsefacts.gov/
Jul
21
to Jul 22

horsefacts.gov/

horsefacts.gov/
Tuesday, July 21 at 7pm & Wednesday, July 22 at 7pm

Sleth (Writer and Performer)
Beatriz BB (Performer)
Matthew Dailey (Director)
Sarah Dahlinger (Props Designer)
Forest Entsminger (Set Designer)
Eric Bowers (Lighting Designer)

NY Gov. Kathy Hochul has tasked Sleth, a horse fancier and maniac, with creating a lecture immortalizing Horses for a far-off future where Horses no longer exist. She has also made him promise to never die. In some distant future, Sleth delivers this lecture, which gradually falls apart into misinformation, misremembering, lies and hysteria.

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The Devil You Know
Jul
14
7:00 PM19:00

The Devil You Know

The Devil You Know
Tuesday, July 14th

Thea Belle Flanzer (Playwright)
Lex Laas (Director)

CAST

Chiara Aiello, Madison Willett, Margot Trouvé, Austin Doughty, and Thea Belle Flanzer

The second installment in the Greek Myths for Our Troubled Times play cycle, The Devil You Know, is about a young woman who takes a four-year lease in Hell --- and the roommate who embarks on a mission to get her back. This play explores the purpose and meaning of friendship in these troubled times through a postmodern retelling of Orpheus and Eurydice.

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MEAT
Jul
13
7:00 PM19:00

MEAT

MEAT
Monday, July 13

Zara Roy (Playwright)
Ethan Manuel Homen (Director)
Isabelle Chirls (Producer)
Jack Wallace (Costume Designer)
Sean Lillis (Scenic Designer, Props Designer)
Sophie Lynd (Lighting Designer)

Ham, a West Texas meatpacker, longs for a promotion. He will do anything to get it. Beleaguered by his grim career, eccentric libertarian coworker, and stalled long-distance relationship with a woman 30 years his senior, Ham is plagued by the looming presence of his manager and visions of his dead mother. MEAT fleshes out the unsustainable nature of capitalism, climbing the ladder, and a hunger for your own piece of the pie.

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